The Coen Brothers' third film does what a great Coen Brothers film should always do: Take a genre (this time gangster films), deconstruct it with a sardonic and dry wit, only to then spin around and become one of the great entries in the very genre it's deconstructing.

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The Coen Brothers, eclectic as always, take on film noir in this hyper subdued, intentionally self serious yet absurd deconstruction of the film noir genre, where, in playing the standard tropes and motifs of the genre dead straight, stretching them to the point where they snap back on themselves. It's a dense, cerebral film, and one that, while lacking the gonzo charms of, say, O Brother, Where Art Thou? or The Hudsucker Proxy, still manages to be a fascinating work of art, and a

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